#Fabfilter pro q2 review full
#Fabfilter pro q2 review professional

The number of available shapes has been raised to eight with the addition of Tilt Shelf - essentially a combination of high- and low-shelf filters that can be used to quickly adjust a signal's tonal balance by boosting the highs and damping the lows, or vice-versa.Р”Р„lso, while Pro-Q's filter slopes only went up to 48dB/octave, Pro-Q 2 has 72 and 96dB/octave modes available for every shape, too, and by using the steeper slopes with the bell filter, you can get the kind of useful flat-topped bell shapes that only a few EQs are currently capable of. These are all familiar: Frequency, Gain and Q, as well as the band's filter shape and slope. Shaving off only a couple to a few dB here and there, I find this compounding process makes for a very glued and cohesive end result, especially if youРІР‚в„ўre factoring the songРІР‚в„ўs tempo into your attack and release values along the way.Pro-Q 2's basic functionality remains unchanged from that of its forerunner: double-clicking the spectral display creates a new EQ band, with its adjustable parameters appearing in a floating panel below. A bit on the source material, a bit on the subgroup, a bit on the mix bus-maybe even multiple instances there. Like saturation, I apply dynamics treatment in stages.

#Fabfilter pro q2 review full

You can see a full detailed list of whatРІР‚в„ўs on offer by clicking the РІР‚Сљfacts and featuresРІР‚Сњ dropdown on the Pro-C 2 product page.Р”В«ut in terms of sonics, does it have that special something to keep you coming back? So, in terms of features (and letРІР‚в„ўs not forget style), itРІР‚в„ўs clear the Pro-C 2 wonРІР‚в„ўt leave you wanting for much. The Pro-C 2 also boasts lookahead capabilities, up to 4x oversampling, variable knee, hold, and range controls, external sidechain triggering (and EQ controller), variable stereo linking, and Mid-Side processing functionality. The realtime visual feedback as your waveform scrolls across the GUI is both futuristic and actually practical. Massive LED meters to the far right side make it easy to check whatРІР‚в„ўs happening with your levels-and to detailed extent. The fully redesigned GUI features large and easy-to-operate controls set atop a helpful backdrop which displays the frequency spectrum and animated level/knee display. The intelligent auto-gain and auto-release features make A/Bing your material quick and intuitive-a major part of my process with respect to dynamics, especially when mixing tediously. There are eight program-dependent compression styles that sum up what you should expect from the Pro-C 2: Clean, Classic, Opto, Vocal, Mastering, Bus, Punch, and Pumping. And though itРІР‚в„ўs worth noting that FabFilter does offer a separate limiter plugin, the Pro-C 2 should be able to handle just about anything you throw at it in terms of compression. Could it hang with the likes of my A-list tried-and-true compressors the way Saturn2 can with the best of my saturators? Or will it be lost in the void of a very (no pun intended) saturated market of digital compressor plugins?Р”Р‡abFilter touts that the Pro-C 2 is equipped to handle any and all compression tasks, from subtle per-track use, to subgroups, to your mix bus, all the way to your mastering chain. But I digress.Р”Р„lthough not a new release, IРІР‚в„ўve been feeling the FabFilter pull as of late and was eager to see what their Pro-C 2 had in store. And whatРІР‚в„ўs more fun than compression? Well, maybe distortion. After a recent rave review of their Saturn 2 distortion plugin, I felt the need to dive deeper into their collection. But how you get there is the key-do you want to be transparent or overt? How much dynamic range do you want in your mix? Harmonic overtones? LetРІР‚в„ўs remember: music is art, and thereРІР‚в„ўs really no right or wrong.Р”В«ut in terms of cranking out the tools in which us musicians and producers need in order to impart said artistic choices, FabFilter is a name we all ought to know.

#Fabfilter pro q2 review professional

ThereРІР‚в„ўs plenty of ways to РІР‚СљproperlyРІР‚Сњ control dynamics in order to make a technically satisfactory professional mix. Even more so than with EQ, I feel a bit of freedom in the dynamics domain to really leave an imprint stylistically.

With eight program-dependent styles and a fully revamped GUI, can FabFilterРІР‚в„ўs Pro-C 2 become your go-to compressor?Р”Вynamics processing is one of my favorite tasks in mixing.